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Max Max

In short? No. 

Cinema's latest obsession, Mad Max: Fury Road, hit theatres last week. The high octane, fast paced, action packed thriller has attracted overwhelming praise and prompted some interesting talking points around whether or not the film was bathed in feminist overtones. 

Tom Hardy, Charlize Theron and Nicholas Hoult

Prominent media critic and blogger, Anita Sarkeesian ruffled some feathers yesterday when she denounced those who were of the opinion that the film was inherently feminist in nature. 

Are we so starved for interesting and dynamic female characters in film that we will assign meaning where it does not exist? 

People complain about having to find non-existent themes in their high school English Lit classes, but will happily claim that Mad Max was a continuation of The Feminine Mystique. 

Guys, stop it. It's not that deep. 

Max Max

The film is a lot of things: loud, impressive, gripping. You're allowed to love the film because its execution is breathtaking and truly a testament to modern film making. You are not, however, allowed to fall into the trap of believing that it is some sort of feminist opus. 

It does not truly challenge existing power structures. It does not give us much of anything other than some great stunts and special effects. There must be more than some female leads in a film to qualify it as a work of feminism. If we settle for this, then we've cheated ourselves out of something better down the line. 


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